Archive for the ‘Social Change’ Category
Gallery opening – Right now, online & you’re invited!
Thank you for joining us for the inaugural IMPACT online exhibition, a new project exploring the blog medium as a venue for photographic work. RESOLVE is excited to be hosting this experimental new project.
By clicking on the links below the IMPACT logo, you can move through the exhibition, viewing galleries of images, all related to the idea of “Outside Looking In.” Each “gallery” will include a series of images a photographer has uploaded to their blog along with this same IMPACT logo.
At any time you can click on the IMPACT logo to be taken to back to this post, where all the participating photographers are listed. (The “next” button actually takes you to a random gallery, so keep clicking if you get a repeat.)
By allowing viewers to move between different photographer’s online galleries, we hope to gain exposure for their work while providing a multifaceted visual study of the chosen topic.
We also wanted to remind viewers of the important role photographers play around the world, so we asked participants to share images from a project where they had an impact or were impacted themselves. If inclined, they have also included a link to an organization that they believe is having a positive impact on the world. Please help us increase this project’s IMPACT by sharing it with your community.
Gazi Nafis Ahmed: Inner Face
Daniel Beltra: Tropical Deforestation
Fabiano Busdraghi: Physics, adventure, poetry and photography in Antarctica
Shiho Fukada: No Retirement Plan
Sean Gallagher: Desertification Unseen
Bill Hatcher: New Zealand Masters of Sport
Ed Kashi: A “Fady” in Madagascar
Michael Kircher: Adventure for Healing
Pete Marovich: A Look Inside the Old Order
Sara Mayti: The Sound of a 4.16
Thomas Peschak: Saving the Most Important Fish In the Sea
Ian Shive: American National Parks
Jeremy Wade Shockley: The Mountain Kingdom
Art Wolfe: The Ganges River
Rachel Wolfe: Jamaica
Written by Zara Katz
May 6, 2010 at 1:00 am
We’ve made the quantum leap to Facebook. Please do check us out, as this is by far our most convincing virtual reality experience to date.
*****Just click the pic!
The 2010 Photocrati Fund competition is now open. Deadline for application submissions is March 15, 2010 (by 11pm GMT).
What is the Photocrati Fund?
The Photocrati Fund offers $5000 grants to non-professional photographers to undertake important humanitarian and environmental photography projects. Our goal is to identify outstanding, up-and-coming photographers and give them the resources necessary to pursue projects that will have a tangible and positive effect on the world.
We will offer one grant in 2010. The application deadline is March 15, 2010, and the award will be announced in June 2010. Awardees become Photocrati Fellows for the calendar year from the announcement of their award until the announcement of the following year’s award.
Award decisions will be made by the Photocrati Fund Board, a prestigious panel that includes some of the world’s best-known environmental and cultural photographers. The Photocrati Fund Board and judges for the competition are:
Note: The Photocrati Fund and Photocrati.com are administered by Frontier Digital Media, LLC. Photocrati and the Photocrati Fund are sometimes hereinafter referred to collectively as Photocrati.
Fifty Crows is dedicated to providing social documentary photographers with the tools and resources to sustain their passionate work.
Marizilda Cruppe is a Rio de Janeiro-based photographer, shooting mostly for O Globo (Brazilian Newspaper and media group) Sunday magazine supplement. Her personal work is concentrated on examining Brazilian social inequality, poverty and human rights violation. She is also a founder member of EVE Photographers. In 2010, Marizilda will be part of the World Press Photo Jury for News and Documentary.
The CDP seeks to provoke debate about issues pertinent to journalism and documentary practice and act as a resource for research and storytelling by providing exemplars to this community through its publication, The Australian PhotoJournalist and website. The publications aim to give a voice to the marginalised and the vulnerable, to celebrate our successes and reveal our excesses. The CDP exists under the auspices of Griffith University in Australia.
The CDP Emerging Documentist Award
Win a Canon EOS 5D Mark II Premium Kit!
The Centre for Documentary Practice (CDP) seeks to support an emerging documentary photographer who submits the best-judged folio that aims to Seek Justice. The prize, a Canon EOS 5D Mark II Premium Kit, is designed to contribute to the continuation of, or an extension of the submitted project synopsis. The CDP Award is free to enter.
The folio may be on any subject but must have the intent to be used to make a positive difference to the subject or the context in which the subject exists.
The award will be judged by two of the keynote speakers from the CDP Online Symposium: Seeking Justice. The winner will be announced 14 December 2009.
Online Symposium at The Center for Documentary Practice TODAY & TOMORROW with 13 major photojournalists
The Centre for Documentary Practice invites you to logon and join the world’s first online journalism and documentary conference on October 15th 2009, starting 12:01am (GMT).
Speakers include Paul Fusco, Ed Kashi, Jodi Bieber, Marcus Bleasdale, Shahidul Alam, Gary Knight, Robin Hammond, Adam Ferguson, Travis Beard, Michael Coyne, Masaru Goto, Jack Picone, Megan Lewis, and more.
On October 15th we will connect an international community of documentary practitioners and journalists for one day, to share stories, to stimulate discussion and debate about our discipline, and to inspire each other to continue the fight for justice.
Register here and you will receive an email so that you can add to the group.
Hope to see you there!
Consider the metaphor of a grain of sand: one grain in a thousand is insignificant, while it can also be unique in shaping everything that it touches. Now apply this idea to photography. Countless photographic images give us a consciousness about what is going on in the world, but our lives are awash with powerful images, most of which fall away by day’s end. A sub-clause to the metaphor: even if that one image (grain of sand) does produce an emotional response, it is rare the feeling that the image elicited will inspire action.
But what happens when one grain of sand (image) gets stuck in your eye so persistently that you must make a move to change the way you feel? The affect/effect: Photographs That Create Change series will feature stories from photographers and friends of photography that share how one image affected an individual to make a profound effect in the world.
The work of Karen Kasmauski is the core of social change photography. Known as the “unofficial” global health photographer for National Geographic, Kasmauski has contributed 26 important stories to the publication on AIDS/HIV, malaria, malnutrition, immunization, reproductive health, overpopulation, and obesity. In her travels and work around the world she has also focused on the value of cultural differences and the role that women play in representing half the population. Most recently, Kasmauski has highlighted the essential work of nurses who provide the majority of human support in the world’s health care system. Her book, Nurse: A World of Care offers images of nurses caring for people in every stage of life. She illuminates how nurses are powerful leaders in many cultures as their care for humans impacts society, the economy, and the environment.
Seeing that Karen Kasmauski is a dynamic force in the world of social change photography, I asked her if she had a story to contribute to the affect/effect: Photographs That Create Change series. Her bottom line response was that she did not believe that one image could create change. Karen believes that it takes all the encompassing elements to catalyze change, from the photographer and the people in the photographs, to the corporate funders and the media sources that distribute the stories and images, to the people that view the images to understand the world around them.
In her venture to honor the nurses of the world, she collaborated with a journalist to gather detailed stories about what they do. In her images, she captures the action and emotion of the nurse and patient in a way that does not over dramatize the situation but conveys a tangible reality. While photographer and non-photographer alike can understand the powerful message of her beautiful yet poignant images, it is the universal nurse who is both affected and effected by these images. Through Karen’s photographs we can gain compassion and respect for the nursing profession and offer conscious support to the people that contribute to our health, our community, our environment, and our economy.
Here, one nurse offers her thanks to Karen and her visual homage to nurses:
“Being a nurse and being out in the community, [your book] spoke to my heart in an intense, dramatic way. It reminds me of how proud I am to be a part of this profession.
There are two things I truly want to say to you specifically. Thank you for allowing me to be a part of this endeavor. It was an honor and a privilege to work with you on this project. Although you told me what the project was, it was difficult for me to grasp just how important and big it was. Secondly, seeing those other nurses from other parts of the world – doing what we do – wherever we are – it is undeniably clear that the common goal is the same….to care carefully for our patients, to be creative in that care when we don’t have everything we need, to be diligent in that care regardless of the depth of it, to be courageous in that care when others can’t (or don’t or won’t) be but most of all it is a reminder of our responsibility to treat people with the utmost dignity, to care for them well and to love them well.”
Community Hospice of Washington, DC
Other links to Karen Kasmauski:
National Press Photographers Association article: Having an Impact
But what happens when one grain of sand (image) gets stuck in your eye so persistently that you must make a move to change the way you feel? The affect/effect: Photographs That Create Change series will feature stories from photographers and friends of photography that share how one image affected an individual to make a profound effect in the world. — Our first story comes from internationally renown photojournalist and close friend of FiftyCrows, Ed Kashi. It is close to impossible to make a short list of Kashi’s credentials as he has worked extensively in Israel, Iraq, India, Pakistan, Egypt, Nigeria, Europe, and the United States, to name a few and often shoots stories for National Geographic and the New York Times. During a three year period, Kashi documented the effect of the oil industry on the people and environment of Nigeria which he titled Curse of the Black Gold. Although Nigeria has one of the highest oil revenues in the world, most of the people live on less than one dollar a day. Kashi gives a brief recount about one of his photographs that created change for a boy in Nigeria:
“A month or so after it came out we got a call from a woman named Betty in upstate New York. She asked for a copy of the picture and we thought, Oh gosh, this is some crackpot. (Because the image is so intense) Anyway, we gave her a copy of the picture and then six months later she contacted us and she said, “I just want you to know that through my church I found that boy and he is now enrolled in school and I’ve extracted him out of this absolute dead end – because this job, which was also a very dangerous and unhealthy job … and now he’s going to school.” When those things happen…. I’ve been fortunate that that’s happened a few times in my career so far where there’s actually an image or a body of work that catalyzed action.”
Welcome to FiftyCrows Blog! Over the next several weeks we will be posting updates on the photographers who won the International Fund for Documentary Photography from 1990 until 2004. The FiftyCrows blog will feature images and multimedia projects from other contemporary documentary photographers and photojournalist from around the world. Please stay tuned for posts about fundraising, business tips and distribution in the future.
FiftyCrows is proud to announce that we are now partners with liveBooks, the leading provider in professional photography websites. The newest project from liveBooks offers photojournalist high-quality, low-cost websites, which FiftyCrows believes is giving photographers the tools they need to have their vision connect with the world. Take a look as many of the FiftyCrows IFDP winners are featured on the website: