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Social Change Photography

Posts Tagged ‘Thailand

Photo Fund Winner Update: Jack Picone

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PiconeIn 2003 Jack Picone won the FiftyCrows IFDP award for his photo essay that looked at the AIDS epidemic in Thailand. The intention of his images was to give a voice to the courage and compassion of HIV-infected people who face social ostracism and stigmatization. For over a decade, Picone has been involved with photographing people and communities with AIDS as part of a London-based project called “Positive Lives.”

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Picone has covered eight wars and photographed extensively in Yugoslavia, Somalia, Rwanda, Palestine, Liberia, Sudan, Central Asia, Europe, Australia and Thailand. His list of publications and awards rivals the countries he has traveled to and include World Press Photo, Amsterdam, Photographer of the Year, America and most recently UNESCO Documentary Award.

Picone resides in Bangkok and conducts photojournalism workshops throughout Asia. This year the workshop will take place in Australia from October 8th -13th in Sydney and between November 7th – 12th in Melbourne.

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Jack Picone is currently working on a book titled “Blood and Love,” which overviews the past 25 years of his work.

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Written by Zara Katz

August 5, 2009 at 12:10 pm

Posted in Health, Photo Fund Winners, Workshops

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Photo Fund Winner Update: Masaru Goto –Part 2

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goto10“It is necessary to make deep stories.”

Via Bangkok, Masaru Goto informs FiftyCrows about his most current project in Japan, his country of origin. Seven year after he won the International Fund for Documentary Photography, he reflects on the impact of receiving the grant and offers his point of view on the essence of photographing important issues around the world.

FiftyCrows: What project are you currently working on?

Masaru Goto: I am currently working on human rights issue in Japan. “NIHON-JIN, BURAKU-MIN: Portraits of Japan’s outcast people” is the name of the latest project. The Buraku-Min (tribal people) compose one of the main minority groups in Japan, along with the Ainu of Hokkaido and the Ryukyuans of Okinawa. Despite being thoroughly Japanese, racially and ethnically, the Buraku-Min still face discrimination and struggle under the weight of their shared history in Japan.

This is the link: http://archive.masarugoto.com/burakumin/folios_burakumin.htm

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FC: How did you become involved/interested in your current work?

MG: There is only small number of people who know about the discrimination against the Burku-Min people in Japan. I left Japan about twenty years ago, and now when I visit I can see the problem, which I couldn’t see when I lived there. I want to publish these issues outside of Japan          because I believe that will help to solve these problems.

FC: Can you talk about the project that you focused on for the IFDP grant?

MG: I was in Colombia in South America from 1990 to 1993. I worked with local human rights group at Barrancabermeja, a town located in south Colombia.  At that time, Colombia was worst country violating human rights in the world. People were trapped in the town because three groups, paramilitary, guerrillas, and government force fought for a land. Even journalists and human rights workers were being killed at Barrancabermeja. I documented human rights workers in this town, especially one of my best friends, Julio who was eventually killed by paramilitary soldiers when I was there because of being out spoken.

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FC: What was the significance of winning the IFDP in your career?

MG: When I received IFDP, I felt very encouraged by FiftyCrows because nobody else seemed interested in my story in Colombia. I think for many people, the story was too violent and personal. After I received the IFDP, I got more energy to continue the work.

FC: Can you give a piece of advice to others doing important work with social change photography?

MG: I am not sure what I can advise, but it is necessary to make deep stories. We are not press photographers, so spend time with people and stay with them, so that you can make deep stories.

FC: Can you talk about what it is like to work in violent situations and what it is like to witness pain and death?

MG: I still feel very much pain when I think about death, especially since one of my friends, Julio, was killed in Colombia. I am still working as photographer as a result of Julio’s death because I believe he wants me to continue working for human rights issue.

Written by Zara Katz

May 28, 2009 at 9:54 am

Photo Fund Winner Update: Masaru Goto

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MASARU GOTO

In 2002, FiftyCrows awarded Masaru Goto the International Fund for Documentary Photography for his documentary project, which examined human rights issues in Colombia. In the project, Goto captured the brutality of combat between the government and the insurgent guerillas that effected soldiers and civilians alike.

Goto has also done in depth photographic projects of the volatile situation in Cambodia, documenting soldiers of the Khmer Rouge and the epidemic of AIDS in the country. In Kashmir, he showed the lives of people not directly involved in the fighting but victims of the violence. Goto states that the intent of his images is to convey a sense of compassion and show the strength of people living in war torn areas. For this reason he is committed to working with NGO and human right’s advocacy groups in order to generate change on these important issues.

gotoscreenBased in Bangkok, Goto has been documenting the recent political struggle that has resulted in riots and demonstrations around the city. His newest story from the streets of Bangkok entitled, ‘Fragile Democracy: Political Crisis in Thailand” has just been published on his website. At the beginning of May, through the Move Media Project, Goto will exhibit “Loved Ones Lost,” a campaign to defend human right in South Thailand.

www.masarugoto.com

www.mmrf-asia.org

Written by Zara Katz

April 24, 2009 at 3:35 pm